Game Theory

It’s the middle of cold, grey, January, I’m firmly back in the work trench (reached 80,000 words on the first draft of The Silvergreen Sea yesterday and celebrated with a cup of tea), and the Christmas board game season already feels a long time ago. Now, I love board games, although I sometimes struggle to find the time and willing participants. Or the patience to deal with some of my slower friends, who feel the need to over-analyse every possible combination of moves and dice rolls (if you’re reading this, you know who you are). Part of the problem is that, for too many people,  board games are soured by childhood recollections: repeated losses at chess, over-competitive older siblings, blazing rows over the Monopoly board. It’s a sad irony that, while board games have improved tremendously over the last few decades and there are now available countless different options suitable for every taste, the most popular games – and the ones most people think of when ‘board games’ are mentioned – remain those of yesteryear. Monopoly. Scrabble. Risk. Cluedo. Trivial Pursuit. What all these games have in common, besides the fact that they’ve been around for decades, is that they’re utterly terrible.

 
What makes them so very bad? Well, it varies. In the case of Trivial Pursuit, it’s the awful quality of the questions – trust me, as a former question-writing professional, I know of what I speak, and there’s no way those questions would pass muster on The Weakest Link. Oh, and the endless bloody dice-rolling. With Cluedo, it’s the fact that every single time, you guess the weapon and murderer quickly, then spend ages trooping across the board to get to the next room, only to get pulled into the %$£&ing billiards room just when you’re almost there. Scrabble – at least when I play it – degenerates into people trying to block off the triple word score and arguments over whether ‘xi’ and ‘qi’ are permissable words (they TOTALLY are). Monopoly and Risk both have that you-get-eliminated-early-then-the-game-goes-on-forever quality. Yet despite their terribleness, these games continue stumbling on like zombies that just won’t die, spawning endless special editions themed as Sherlock or Star Wars or – appropriately – The Walking Dead.

 
What games, then, are better? Well, one game I’ve played a lot this season, and which I unhesitatingly recommend to anyone, however scarred by that round of Diplomacy (‘The game of interminable backstabbing!’), is Ticket to Ride. It’s fun, it’s simple, and you get to build steam trains to Constantinople. It’s a perfect ‘gateway game’ as boardgamegeek.com would put it. As a fantasy writer and reader, however, I always like to check out games based on created worlds. I’ve had some issues with Tolkien-based games in the past, and the game of Game of Thrones sounds a bit too much like Diplomacy for my liking, but I absolutely love the Ankh-Morpork game, hiding my secret identity as Vimes or Vetinari whilst playing cards like Rosie Palms and Death (‘HELLO’). This Christmas I got to try its sequel, the Witches game, which sadly, wasn’t quite so good, not least because you don’t get to be either Granny Weatherwax or Nanny Ogg. The game features a rule – which my husband decried as ‘stupid’ – that, if there’s ever 3 elf tokens on the board at once, everybody immediately loses. This rule didn’t make much sense to me either, and I realised this must be because I hadn’t actually read the appropriate book (‘Lords and Ladies’) – so I did, immediately, and a fantastic read it is too, one of Pratchett’s best imho. And now the elf rule makes sense.

 

arkham horror game

The Arkham Horror board game in action. Set up for 1 player (no, really). Picture from boardgamegeek.com

Eldritch beings which cause everybody to lose suddenly are the main feature of another game based on a fantasy world, Arkham Horror. This game is quite immersive in the world of HP Lovecraft, but it’s definitely a whatever-is-the-opposite-of-a-gateway-game. There are Sanity Tokens which look like little brains. You fight monsters and the Doom track advances. Then Azathoth awakens and destroys the world, which means everyone automatically loses. Or you could play against Cthulhu instead, in which case you fight for a couple of rounds and then he devours everyone (this also means you lose). It’s a co-operative game, so inevitably, you all lose together. Supposedly the game does have victory conditions, but I’ve not seen much evidence of them in action.

 
Although I’ve yet to encounter a board game in which there actually isn’t any victory condition, many video games have a ‘Survival Mode’ where you just keep going until you die – and I’m old enough to remember when all video games were like that. I commented at my writers’ group that this is, of course, how it works in real life. ‘Life – the game with no victory condition’ – a very January sort of sentiment. Then one of my writerly friends came up with the more optimistic view that you can define your own life victory conditions, which got me thinking. Maybe one day – if I keep writing, and get lucky with those unseen dice rolls – I’ll be able to play a board game based on a fantasy world I’ve created myself. And If that ain’t a victory condition, I don’t know what is.

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2 thoughts on “Game Theory

  1. Fiona the wonder kid says:

    I recommend Lords of Waterdeep. Really beautiful, fantasy film, worker placement game.

    • Ruth – you didn’t mention Subbuteo Angling, Election X or Scoop. Fishing, elections and journalism: all without the pain! And the stories in Scoop are great to read if you get bored.

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