Nearly two months ago, I finished the first draft of my new novel, The Silvergreen Sea. After a period of reflection, discussion with my agent, and a little help from my writing group, I’ve now started on the dreaded second draft.
Why dreaded? Well, because while the first draft can be spurted out quickly and relatively thoughtlessly, second (and subsequent) drafts take real work. It’s easy on the first draft to dash something off with a casual ‘it’s not great, but I’ll fix it later.’ Now, later’s come around, and you gotta get fixin’. At least this time round, unlike last time, I haven’t left any huge gaping holes in the story with ‘more plot to go here’ scrawled at the top of the document.
One of the difficulties with the second draft is that progress is hard to quantify, as you’re never quite sure in advance how much work will be needed on a given section. On the first draft, I had daily, weekly, and monthly word targets, and I could always see exactly how far along I was on that handy Scrivener progress bar. With the second draft, the first four or five scenes needed only a brief tidy-up so I zipped right through them in a morning: then I reached a scene which needed a complete re-write and had to spend two whole days on it. The ghost of my former project manager self wants to go through the first draft, calculate exactly what needs doing to each scene and how long it should take, and draw up a full plan of action: but my current, writer self, just wants to get on with it.
If you’ve never written a book yourself, you may be wondering what sort of thing typically changes between a first draft and a second, or a third… the answer is, as so often with writing, that it depends. One book may be almost ready to go after the first draft and just need a bit of polishing; another may be far too long and need extensive cuts; another may be skimpy and need extensive additions; another may be wildly incoherent and need a complete rethink. My book falls somewhere in the middle. Some bits need to be cut, others need to be added, others changed around. One character becomes more prominent; another character falls out of focus. Other characters warp and transform, changing gender or magical powers. The basic plot outline and central characters will remain, but a lot needs to be rewritten.
It’s not going to be easy, and I don’t know how long it will take. But hey, this is my job now, and nobody else is going to do it for me, so here I go. I’ll let you know when I’m done.