This blog post contains spoilers for the Captain America comics, and Game of Thrones (sort-of).
I’m having a busy year. I’ve finished the final draft of one book and the first draft of another. Today, I reached the 25,000 word mark on my latest work-in-progress, The Only Thing That Never Burns In Hell. It’s the story of a young woman who, desperate for a job and unable to find one anywhere else, ends up accepting a role as the Librarian of Hell. It’s a bit of a departure from my usual stuff – less epic fantasy, more urban fantasy, laced with satire and dark humour, and it’s been fun to write so far.
Writing stories can be fun, but it can also be frustrating, and I’m sometimes nagged by the question: does what I’m doing actually matter? Obviously, I enjoy it – but will it ever matter to anybody else? Well, I hope so. And, looking around the parts of the internet I frequent, I see that stories obviously matter a lot, to a lot of people.
The Marvel character Captain America, aka Steve Rogers, has had focus on him lately. After the release of the film Captain America: Civil War, there’s been a Twitter campaign to #GiveCaptainAmericaABoyfriend (I have to confess I had a moment of confusion at that hashtag, until I remembered that apparently some people still think Steve and Bucky are Just Really Good Friends).
Marvel’s response to this was not to give Captain America a boyfriend, but to make him a Nazi. Yep, you read that right. The latest issue of the Captain America comic outs him as a member of Hydra – the fictional uber-Nazi evil cult he’s been fighting since the 1940s.
Some people are quite upset about this, and I can see why. Captain America, after all, is the brainchild of two Jewish creators and was punching Hitler in the face long before Pearl Harbor. Making him into a Nazi for some cheap shock-value publicity is therefore… insensitive. For many people, he’s not just a super-hero, he’s a hero they can identify with, and making him evil feels like a personal betrayal.
On a more positive note, and delving into the world of fantasy fiction, we’ve this week seen one of George RR Martin’s key reveals from A Song of Ice and Fire adapted onto television before the book has come out. Unlike the ‘shock’ twist described above, this plot development is both devastating and fully convincing within the story’s context. If you want to make a Game of Thrones fan cry, just sneak up behind them and yell ‘Hold the door!’
Stories can be incredibly powerful. They might not be real, but the emotions they rouse – whether rage, sorrow, joy, terror, or anything else – certainly are. As I weave my own tales, I can dream of one day rousing a fraction of these passions.